Tag Archive for: Sufi Poetry

Spiritual Practice in the Arabic Hagiography of the Chinese G ̌ ahrīya Sufi Order – Florian Sobieroj

Abstract:

“The hagiography of the Chinese branch of the Naqšbandīya order of Islamic mysticism called Ǧahrīya has been recorded, in the nineteenth and early twentieth centuries , in some Arabic and Persian language texts. These include stories about the founder of the Sufi order, Ma Mingxin (d. 1781), and his successors in the first few generations and many of the literary units revolve around the contemplative discipline declared obligatory for the followers of the brotherhood. Ma Xuezhi gives a description, in his Kitāb al-Ǧahrī, of the works which include practices believed to have been transmitted to Mingxin during his sojourn on the Arab peninsula. Besides offering a positivist approach description of the practices on the basis of the hagiographical writings, some codicological reflections will also be included in the presentation“

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“We are Not Our Brain: How Poets and Philosophers Saw the Immaterial Life of the Self.” Renovatio, Spring (2024) – Muhammad U Faruque

Abstract:

We live in an era in which the brain has come to signify the central component of human identity. It’s common to hear people blurt out statements like “our brains are wired to do XYZ,” or “the brain creates new ideas,” or “explain X to my brain” (instead of saying “explain X to me!”) to talk about their feelings, desires, experiences, and understanding. For a dyed-in-the-wool materialist who either believes there is no mind or soul or completely identifies the mind with the brain, it makes sense to replace the words “I” or “mind” with “brain.” While materialism arguably is not the dominant viewpoint in our culture, this nod to the brain puzzlingly persists when we should really be referring to the entire person/self of which the brain is a part. We unwittingly take the brain to be the center of our self, which has implications for the contours of human subjectivity, the source of our meaning, wonder, love, and beauty. Do such materialistic habits of describing ourselves render holistic conceptions of the human self involving body, soul, and spirit completely void?

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Qur’anic Narrative and Sufi Hermeneutics: Rumı’s Interpretations of Pharaoh’s Character – A Dissertation Presented by Amer Latif

Abstract:

“This dissertation examines Jalal al-din Rumi (d. 1273) hermeneutics of the Qur’an by focusing on his interpretations of the Qur’anic character of Pharaoh. Although Rumı did not write a commentary in the traditional genre of tafsır by commenting on the Qur’an in a linear verse by verse fashion, significant portions of his poetry are explicitly devoted to Qur’anic interpretation. This study proposes that poetical writings, such as Rumı’s, deserve a prominent place in the field of Qur’anic interpretation. Chapter one gives a broad overview of Rumı’s hermeneutics of the Qur’an. It shows that while Rumı posits multiple levels of meaning within the Qur’anic text, his interpretations of Qur’anic verses are informed by a binary distinction between an outer and inner meaning”

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Review of Rabia from Narrative to Myth – Atif Khalil

Abstract:

“Ever since Margaret Smith (d. 1970) published the Mystic A.D. 717- 801 and Her Fellow Saints in Islam almost a century ago, Rabi’a has remained a figure of abiding interest in the study of lslam in the West. For Muslims, she has often embodied the archetype of the selfless lover of God, the devotee whose sole desire is neither to be saved from Hell nor to be granted Paradise, but to receive the Beloved’s acceptance. Rabi’a Yet, how many of the stories and accounts of Rabi’a that have been recorded and repeated for more than a millennium of lslamic history actually took place? How much of what has been bequeathed to us about her by countless generations is historically accurate? This is one the guiding aims of the book: to disentangle, as much as possible, the “real” Rabi’a from the one of legend and lore. In this archival endeavor, which involved closely scrutinizing more primary sources than any other study on her thus far, Rkia Cornell left virtually no stone unturned. And in the process of doing so, she produced a theoretically rich 400+ page tome, not only on Rabi’a, but also on the unfolding and development of early Islamic ascetical, mystical”

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Falsafa. Jahrbuch für islamische Religionsphilosophie

Mystik und Vernunfterkenntnisin der Schule Ibn ʿArabī’s

Abstract:


“Despite the fact that some of the main followers of the famous Spanish Muslim mystic Ibn ʿArabī (d. 638/1240) were well-versed in the discipline of philosophy, the school of Ibn ʿArabī is often not regarded in Western scholarship as a philosophical school in the usual sense of the term. This is because Ibn ʿArabī’s followers tend to tackle the central problems of philosophy through the medium of mystical and religious symbolism (all here positively understood). In order to properly present the teachings of the school of Ibn ʿArabī as a unified philosophical perspective, therefore, I will argue that their emphasis upon symbolic formulations are largely a means by which they can present well-known rational concepts, but in accessible and concrete language. This is not, of course, an endorsement of the simplistic view which says that religious symbolism or mysticism is merely philosophy clothed”

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Why Miracles Cannot Prove the Truth of Prophecy? (With a Glance at the Views of al-Ghazali, Averroes and Mulla Sadra) – را معجزه راه مناسبی برای اثبات صدق دعوی نبوت نیست؟ (با نگاهی به دیدگاه غزالی، ابن‌رشد و ملاصدرا))

Abstract:

“As it is well-known in theology, performing miracles is the main way prophets used to show that they are honest in their claims and are the true messengers of God. In contrast to this famous opinion, some theologians have not considered miracles as proof of the truth of prophecy. Muslim thinkers such as Mullah Sadra, al-Ghazali, Averroes, ‘Abd al-Razzaq Lahiji, and Hiji Mulla Hadi Sabzavari believe that a true believer does not base his faith and certainty on seeing a miracle from a prophet, and the religion which is the result of a miracle is the religion of ordinary people. According to them, miracles cannot bring about intellectual certainty; moreover, it is difficult to distinguish them from magic. In this article, after considering the objections in Islamic intellectual tradition, some other critiques in terms of the role of miracles in proving prophecy are introduced: the reports of miracles are not adequately sequential and multiple; the miracles are exclusively reported by the believers; there is no practical criterion for identifying miracles; the claim that miracles are related to the dominant art and techniques of the prophet’s time cannot be proved, and miracles can be explained in a completely natural –and not supernatural– way. Accordingly, it has been demonstrated that miracles narrated in religions do not serve theological functions desired by theologians. However, the best way for knowing a true prophet is investigating his teachings and experiencing his spiritual aura”

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“if I must die” Japanese translation of Refaat Alareer’s poem written in traditional Japanese calligraphy – Naoki Yamamoto

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  1. Source: https://twitter.com/NaokiQYamamoto ↩︎

Creating Harmony Through Tradition in Japan – Matthew Teller

Abstract:

The tea ceremony is a marker of Japanese traditional culture, refined over centuries so that every aspect has significance, from the room setting and the arrangement of flowers to the calibrated movements of the tea master in preparing and serving the brew. Yet despite his skill, Yamamoto is not a tea master. A professor of Islamic studies at Marmara University in Istanbul, Turkey, he is an influential figure shaping Japanese Muslim society. His tea ceremony is taking place not in a traditional tea house but before a seated audience ranging from students to elders in Tokyo’s main congregational mosque. At the age of only 33, Yamamoto has developed what he calls an “Islamic tea ceremony” as an experiment, an innovative public workshop in which new links of understanding can be forged between Japan’s roughly 0.1-percent Muslim population and the rest of the country’s people, almost all of whom follow Buddhism and Japan’s homegrown religion, Shinto.“The point is to help people acquire the power of interpretation, the intellectual muscles of critical thinking and critical understanding of this world,” Yamamoto says. “We, as Muslims, can contribute to the prosperity and diversity of Japanese society.”

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An Elegy for Gaza

This poem was written to mourn the thousands of people killed in Gaza and millions more whose lives still hang in the balance. The poem references locations in Gaza as well as the Qur’an, the mu’allaqa of Imru’l-Qays, Mahmoud Darwish’s poem “Silence for the Sake of Gaza,”  and Dan Heymann’s anti-apartheid song, “Weeping.”

An Elegy for Gaza