Tag Archive for: Quran

“Two Types of Inner-Qur’anic Interpretation”, in: Exegetical Crossroads: Understanding Scripture in Judaism, Christianity and Islam in the Pre-Modern Orient, edited by Georges Tamer et al., Berlin: De Gruyter 2018, pp. 253–288

The conference from which the present volume has emerged was entitled Exegetical Crossroads. Unlike other contributions to this book, mine will not examine intersections between post-Biblical and post-Qur’ānic scriptural interpretation in Judaism, Islam, and Christianity; rather, I shall focus on processes of interpretive engagement with Qur’ānic passages that are traceable within the Qur’ān it- self. Yet this, too, will afford us the opportunity to inspect a crossroads of sorts: for one of the respects in which the Qur’ān intersects with Biblical literature is precisely insofar as it contains intriguing cases of scrip-tural self-interpretation. Since that phenomenon is much better researched with regard to the Bible, my main objective here is to present some of the ways in which it manifests itself in the Islamic scripture.² In doing so, I shall draw attention to some salient similarities and differences between the Hebrew Bible and the Qur’ān. My interest is squarely in the Qur’ān, however; I do not pretend to even remotely offer anything resembling a full account of inner-Biblical interpretation

Cosmos as Revelation’: Reason, Imagination and the Foundations of Ibn ʿArabī’s Scriptural Hermeneutics

Ibn ʿArabī’s metaphysical framework demonstrates that his hermeneutical approach to the Qurʾan represents a vision of what constitutes objective reality. Such a vision, though rooted in traditional sources, is explicated in a highly theoretical language, and is ultimately predicated on the epistemic modes of unveiling (kashf) and witnessing (mushāhada) as the most certain forms of existential or divine knowledge. This study seeks to characterize Ibn ʿArabī’s hermeneutics in light of his teachings on the intellect (ʿaql) and the faculty of imagination (khayāl). The paper examines the implications of Ibn ʿArabī’s method by employing a comparative reading of verse 44 from Surah al-Isrāʾ in the Futūḥāt al-Makkīyya with the interpretation by the notable Ashʿarite theologian and contemporary of Ibn ʿArabī, Fakhr al-Dīn al-Rāzī (d.606/1210). By situating the discussion within themes of the mainstream exegetical tradition (tafsīr), the assessment further highlights Ibn ʿArabī’s unique and radical contribution to the field of Qurʾanic hermeneutic.

Medieval Exegesis The Golden Age of Tafsir

Just as theologians were making bold statements about kalam (theology), claiming that it is the queen of the religious sciences, so Qur’an commentators asserted that tafsir is the most noble of religious sciences

What is Tafsīr al-Qurʾān bi’l-Qurʾān?

Abstract:

In an attempt to understand a well-known though often unexamined exegetical principle,
this article offers a reading of the story of Joseph in light of two Quranic passages, namely 39:23
and, most importantly, 95:4-6. What links these texts is the concept of beauty. In 39:23, the
Quran is referred to as “the most beautiful discourse,” while 95:4 says that human beings were
created in “the most beautiful stature.” At the same time, Sūrat Yūsuf is spoken of as being “the
most beautiful of stories” (12:3). We thus have the most beautiful discourse, which contains the
most beautiful of stories, and all of this is for the benefit of God’s creatures, who are created in
the most beautiful of statures. ……………………..

Tafsir Ibn Abbas

Tafsir Ibn Abbas

The Divine Word in Islamic Art – Seyyed Hossein Nasr

The Divine Word and Islamic Art

The Word of Allah is the origin and principle of Islamic art par excellence. Just as the Word descends from the unseen and unmanifest order to the visible and material realm, so too does the art that is based upon it descend from the ‘formless’ sonoral level to the formal visual plane. And just as the Word, once having entered the formal plane of calligraphy, ‘develops’ horizontally by becoming ever more complex, similarly Islamic art unfolds its diverse possibilities through the course of history and in numerous Muslim cultures. By continuously reaffirming the presence of the One in the many and Unity in diversity, Islamic art, through its multifarious forms, allows for all Muslims to gain access to the spiritual journey back to the Origin from which the Divine Word issues.

Rashid al-Din Maybudi’s Tafsir Kashf al-Asrar – Tr. William Chittick

Rashid al-Din Maybudi’s Kashf al-Asrar – Tr. William Chittick

The full name of this commentary is Kashf al-asrār wa ʿuddat al-abrār (“The unveiling of the mysteries and the provision of the pious”). It is the longest Sunni commentary in the Persian language.  Selections translated by William Chittick.

Islam and the Environment

The Qur’an addresses not only human beings, but also the cosmos. All creatures participate in Islam. It is much easier to be able to develop an environmental philosophy which will not be incongruent or artificial as if you would add an artificial tail to a donkey. It is part and parcel of the Islamic world view.”

Dr. Seyyed Hossein Nasr

 

Download the CBC Ideas with Paul Kennedy featuring Dr. Seyyed Hossein Nasr

 

 

 

Source: http://www.cbc.ca/radio/ideas/islam-and-the-environment-1.2914131

Shaykh Muhammad Siddeeq Minshawi – Surah Luqman 8-34 and Surah Sajdah 1-7

Shaykh Muhammad Siddeeq Minshawi – Surah Luqman 8-34 and Surah Sajdah 1-7.

Recorded in 1969 at Masjid Hussein, Cairo, Egypt.