Abstract:

“Scholarship on Islam in Africa has long been in need of comprehensive work on West African madīḥ (i.e. Arabic poetry in praise of the Prophet Muhammad).Recent articles have explicitly called for such an endeavor,󰀱 and the time has come to fully exorcise the “Islam noir” specter󰀲 that has compelled those who write on West African madīḥ to characterize it pejoratively as, in the words of John Hunwick, “often highly stylized, deeply stamped with the metaphors and clichés of Arabic models of former ages … sometimes managing] to rise above the merely imitative or artificial.” Oludamini Ogunnaike’s Poetry in Praise of Prophetic Perfection is remarkably brief, but as the first monograph on the subject in English, it does the necessary work of sketching out the contours of the corpus and demonstrating how it should be understood and appreciated”