THE SPIRITUAL SIGNIFICANCE OF JERUSALEM-THE ISLAMIC VISION*

THE SUBJECT OF JERUSALEM is an extremely significant one for both spiritual and obviously mundane reasons. For men and women of faith, especially those who belong to the world of Abrahamic monotheism, it is of both immediate and ultimate concern……………

Nasr_Article_The Spiritual Significance Of Jerusalem_The Islamic Vision (1999)

God is Absolute Reality and All Creation is His Tajalli (Theophany)

One can hardly avoid the conclusion that as long as religion was central to human life,
there was no ecological crisis even if there were minor degradations of the natural envi­
ronment…………………………………………………

God_is_Absolute_Reality_and_All_Creation

Spiritual Chivalry

IT IS NOT  POSSIBLE to discuss Islamic spirituality :Without dealing with
that spiritual reality which is called futuwwah in Arabic and jawan  mardi
in Persian and which can be rendered into English as “mystical
youth” or spiritual chivalry………………

Spiritual Chivalry (Nasr)

The Prayer of the Heart in Hesychasm and Sufism

SEYYED HOSSEIN NASR
The goblet revealing the universe is the heart of the perfeet
man;
The mirror that reveals the Truth is in reality this heart.
The heart is the depository of the treasures of the Divine
Mysteries;
Whatever you seek in the two worlds, ask the heart and you
shall attain it.
Shams al-Dïn Lâhïjï, Sharfa-i gulshan-i räz

The Prayer of the Heart in Hesychasm and Sufism (Nasr)

Knowledge and the Sacred – Seyyed Hossein Nasr

Knowledge and the Sacred – The Gifford Lectures

‘The World of Imagination’ and the Concept of Space in the Persian Miniature – Seyyed Hossein Nasr

The World of Imagination and Concept of Space in the Persian Miniature

 

Religious Art, Traditional Art, Sacred Art: Some Reflections and Definitions – Seyyed Hossein Nasr

Religious Art – Traditional Art – Sacred Art

The Divine Word in Islamic Art – Seyyed Hossein Nasr

The Divine Word and Islamic Art

The Word of Allah is the origin and principle of Islamic art par excellence. Just as the Word descends from the unseen and unmanifest order to the visible and material realm, so too does the art that is based upon it descend from the ‘formless’ sonoral level to the formal visual plane. And just as the Word, once having entered the formal plane of calligraphy, ‘develops’ horizontally by becoming ever more complex, similarly Islamic art unfolds its diverse possibilities through the course of history and in numerous Muslim cultures. By continuously reaffirming the presence of the One in the many and Unity in diversity, Islamic art, through its multifarious forms, allows for all Muslims to gain access to the spiritual journey back to the Origin from which the Divine Word issues.